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Watch Love Is Strange (2014) online

Watch Love Is Strange (2014) online
Run time: 94 min
Rating: 6.5
Genres: Drama
Stars: John Lithgow, Alfred Molina, Tatyana Zbirovskaya
Storyline
After nearly four decades together, Ben (John Lithgow) and George (Alfred Molina) finally tie the knot in an idyllic wedding ceremony in lower Manhattan. But when George loses his job soon after, the couple must sell their apartment and - victims of the relentless New York City real estate market - temporarily live apart until they can find an affordable new home. While George moves in with two cops (Cheyenne Jackson and Manny Perez) who live down stairs, Ben lands in Brooklyn with his nephew (Darren Burrows), his wife (Marisa Tomei), and their temperamental teenage son (Charlie Tahan), with whom Ben shares a bunk bed. While struggling with the pain of separation, Ben and George are further challenged by the intergenerational tensions and capricious family dynamics of their new living arrangements. Written by Sony Pictures Classics
Plot Keywords: new york city, new york, police officer, brooklyn new york city, family relationships
Details:
Box Office
Opening Weekend: $117,276 (USA) (22 August 2014)
Gross: $117,276 (USA) (22 August 2014)
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2 comments:

  1. Love is indeed strange, elusive and even painful at times. New York filmmaker Ira Sachs often explores queer politics and gay themes, but this poignant, bittersweet and touching comic drama is arguable his most accessible film yet. And it is certainly a nice change of pace from his more confronting and semi-autobiographical Keep The Lights On. Love Is Strange benefits enormously from a pair of winning, sympathetic performances from John Lithgow (3rd Rock From The Sun, etc) and Alfred Molina (Maverick, etc) as Ben and George, a gay couple who have lived together for nearly four decades. But when they get married their circumstances change drastically. George loses his job as a music teacher at a Catholic school, and the pair are forced to leave the apartment that has been their home for the past two decades. While they look for a new apartment, the pair are forced to temporarily live apart. Ben moves in with the family of his nephew Elliott (Darren Burrows), and shares a bunk bed with their teenage son Joey (Charlie Tahan from Charlie St Cloud, etc), who resents the loss of his privacy. George sleeps on the couch of their neighbours, a couple of NY cops whose hard partying is at odds with his quiet lifestyle. The two find it hard to adjust, and living apart puts further strain on their relationship. Sachs looks at themes of family, relationships, gay marriage, and explores how Ben and George cope with their late life crisis and changed circumstances. Marisa Tomei is good as Elliott's wife, a writer who finds Ben's presence too much of a distraction from her own work. However, there are a number of subplots woven throughout the narrative that are not entirely satisfactorily resolved, the complex relationship between Joey and fellow student Vlad (Eric Tabach in his film debut). Sach's direction is sensitive and subtle, but it is the strong performances of Lithgow and Molina that give the film its sense of heart.

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  2. LOVE IS STRANGE, a film, unaffectedly directed by Ira Sachs, is so natural and unassuming in its portrayal of relationships that the divide between audience and the characters on the screen disappears; we are directly slipping into their lives with the ease of familiarity. There is a formal beauty to the movie, thanks to the cinematography of Christos Voudouris - the way he captures each space - delineated not only through décor, but through the light which mutates with the atmosphere, very much like a Chardin still-life painting, classic in its grandeur and silence.

    The plot revolves around two gay men who have lived together for 39 years and finally get married, a decision that will alter their lives in ways that are unexpected and transforming. We first meet Ben, a seventy-one year old artist, (John Lithgow in a breathtaking performance) and his partner George (Alfred Molina in an equally fine portrayal,) a music teacher in a Catholic school - both excitedly, and nervously preparing for the ceremony and the post- wedding party. From the moment we first view Lithgow and Molina singing a duet together - their voices and theatrics in synch and at odds - tender intimacy is apparent. Ira Sachs and co-writer Mauricio Zacharias have created two remarkably gentle and loving individuals, their intimacy and enduring connection, is both understated and powerfully passionate.

    The consequences of ultimately legitimizing their union bear witness to the harsh realities that accompany that choice. Soon after the nuptials, George gets fired from his job, and the economic demands of existing in NYC, forced to sell the apartment in order to find more affordable housing, interrupts their former cadence of living. Having no alternative, George and Ben, temporarily separate to move in with friends and relatives till they can find a home of their own. Molina and Lithgow stunningly convey the anguish of living apart and the intense longing of being united again. It is as if one person is sliced in half – going through the motions, but not fully functioning without the other.

    LOVE IS STRANGE also references the mysterious corridor of generational diversity - both fractious and enriching. The anxious, rebellious teenager slowly embracing life's uncertainties embodied by Joey, Ben's great-nephew in an excellent performance by Charlie Tahan who is likable, secretive and obnoxious – an eternal artifact of an adolescent's growing awareness of life's promises and aching discomforts. And approaching mid-life, are his parents - Kate (Marisa Tomei - a natural wonder) - a writer trying to meet the demands of motherhood and still do her own work and Elliot (Darren E. Burrows) a father too wrapped up in doing business (supporting the family?) to notice the splintering family dynamic. Tomei's facial expressions convey a woman's inner tug-of-war between being a caregiver and accomplishing her own ambitions, shifting from haggardly frustrated to a luminous empathy, particularly for the growing pains of her son on the cusp of adulthood.

    Director Ira Sachs has given us a tone poem to the beauty, delight and fragility of living in a city - New York - dynamic, diverse and constantly changing, echoing the vicissitudes of life as we stumble through our own personal unfolding. A love story that has depth and endurance - delicate and supple, both romantic and mundane, LOVE IS STRANGE is wrenchingly lovely and generous, but also a reminder that nothing is permanent.

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